During
Tulu’s artist talk, she mainly discussed her past works and then briefly talked
about the “Playground” exhibit she just installed at the St Edwards
Gallery. Tulu is a multi media
artist with a focus in photography.
In the past she has been inspired by outside sources as opposed to
having a pragmatic approach. Her
work has a definite narrative quality and usually requires participation from
the audience by requiring sensory involvement. Some of Tulu’s work has a very playful aspect, but others are
much heavier and have been created in response to issues around the world
including domestic violence and religious controversies.
The
first work she discussed is titled “Based on a True Story” where she
interviewed 5 random women she met on the street. It took a lot of interviewing to find 5 people who were
willing and trusting, followed by a long process of getting to know each woman and
becoming familiar with their every day experiences and trials. (I wonder how much her vision of this
installation changed after finding the women who were willing to
participate. Did she have a
previous expectation as to the types of women she was going to use? ) Tulu has a background in formal
photography but also enjoys experimenting with different techniques of
photography. For the prints used
in “Based on a True Story” Tulu used household bleach to expose the
images. The completed installation
had multi sensory elements including recorded dialect from each of the women,
curtains the viewer had to touch to move into the space, and the visual aspect
of the photos of the women projected onto a screen. Tulu has a very playful
outlook on a lot of her pieces and wanted this to be a sort of game that the audience
plays to figure out which photo goes with what voice.
She
then moved on to discuss some of her other works including Bleached Silver:
“Admissions” which was a photography and sound Installation completed in 2001, “Aphorism”, a photo and sound installation
completed in 2003, and “Addicted”, a one hour performance space installation in
2006 raising awareness of domestic violence.
Tulu
created several installations in 2005 one being “Confluence”, a video
projection in response to an article about the banning of religious identity in
France. Her response is very peaceful and pragmatic and can be seen as
meditative. She left it open-ended
and free to a lot of different interpretation. Other pieces she created in 2005
were “Shelter”, a mixed media installation to acknowledge the refugees from all
around the world, and “Page”, a video installation recognizing the discipline
and time that went into the book the War
Nurse. I would be interested
to know what backgrounds the viewer’s came from and how they felt after viewing
these powerful pieces.
Tulu
then closed by giving us a little insight as to how “Playground” came to
life. “Playground” is and ongoing
photo project involving the playful game of capturing another person taking a
picture. It started with a trip to
Beijing where Tulu discovered countless tourists taking pictures of the empty
stadium where the Olympics were held.
She saw it as her personal playground and found herself there for hours,
catching people in the act of taking photos. Tulu didn’t see the potential of
this project until she was editing her Beijing pictures and decided that it was
going to be an ongoing project. I
think this project has a lot to offer contemporary photographers because she offers
a new, collaborative approach to a photo project in which people from all over
are involved.
No comments:
Post a Comment